Yes diluting it a bit was one of the options I’m considering, I think part of the issue is I didn’t varnish the piece beforehand so it has filtered the colour quite heavily even after removal. I won’t be doing any pre-weathering varnish moving forward as there’s just too much of it to add even MORE steps than I already have.That's very muted... But also very underhive. I understand your predicament. Can't decide, maybe with a slightly watered down grime? If that can be done.
I’ve got loads of weathering things to do nice focussed things, that’s definitely where my heart is heading towards. I’m trying to channel the spirit of old cardboard terrain and the heavily muted stuff just isn’t doing it for me. Even my heavily weathered stuff is brighter than this.I think a lighter and/or more focused application, if possible, of streaking grime, focused on crevices, corners would be best. I'm not sure if that's feasible with that particular weathering, but that'd keep the colour bright in the places where people would walk, and still let some grime show through. Personally I do like the muted colours but I do think I prefer the wall, with its lighter touch of weathering. As much as I like grime, some more shades than brown and gray on the tabletop is very welcome to my eye.

